James Rushford Melbourne, Australia
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supported by 4 fans who also own “Blue-eyed Boy”
A genre-defying fusion of experimental electronic and modern classical. Robinson's sense of musical dynamics are brilliant. These pieces are often extremely sparse, but he shades their simplicity with deft touches that add layers of complexity. I love albums that defy classification, yet feel entirely natural; albums that pull the unfamiliar into the light. This is a truly outstanding example of one of those albums.
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supported by 4 fans who also own “Blue-eyed Boy”
this beautiful creation just does not quit. I've played this over and over and over again: love it.
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Written in response to the climate crisis, “Leviathan” is a brooding and beautifully unsettling batch of dark ambient songs.
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Less a solo act than a one-man megalith, Khôra builds impressive experimental soundscapes from modular synths, flutes, harps, and more.
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Of Shadow and Substance
by Lea Bertucci
A disquieting, yet serene, reflection on industrial decay from the experimental New York-based composer.
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St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
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Images
by Colin Andrew Sheffield
Colin Andrew Sheffield (Elevator Bath) repurposes heavily manipulated jazz samples into gorgeously eerie soundscapes.
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