Face Time is the second release from Pale Calling, the trio of Oren Ambarchi, Kassel Jaeger, and James Rushford, following on from their 2016 debut. Recorded at the GRM studios in Paris in June 2017, the record immediately returns to the idiosyncratic sound-world of the trio’s first release, a simmering stew of electronic smears, pitched-down animal moans, and mysteriously emotive microtonal organ chords. But before long the record takes an unexpected turn, as sounds that initially enter as occasional percussive pitter-patter build to a halting rhythm. Equally reminiscent of Basic Channel-style dub techno and the sound of a microphone loose in a pocket, these stumbling rhythmic figures provide the framework for the remainder of the record’s two sides, occasionally receding into the background to allow squelching electronics, chiming bells, distorted autoharp, inchoate grunts and the sound of a Cristal Baschet to take centre stage, but each time returning with the inevitability of a an idée fixe.
Eschewing any clear sense of form, the two side-long pieces move seamlessly through episodes with the organic flow of improvisation, embracing the happy accidents of events conjoined by chance and lingering on liminal moments. Gradually washing out into a cavernous roar, the record’s final moments are suddenly enlivened by shimmering metallic percussion and a sequence of woozy synth chords, combining with the muted rhythms and a distant thunderstorm to become a sort of oneiric tribute to the work of Wally Badarou. Bringing together three of contemporary experimental music’s most individual voice, Face Time is an essential slice of outsider electro-acoustics.
As usual, Kirby manipulates various interwar records to fit a cavalcade of emotional states: blissful (B1, E8), tragic (D2, D5), frantic (E1, E6), and just plain horrifying (F3, G1, H1, K1). gjoe52
Deeply absorbing. Jaeger's just at the edge of my tolerance for difficult harmonic material, but this single, long track really captures my attention. Michael Upton (Jet Jaguar)
what can I even say about this that I haven't already said about other claire albums. it's the first one I heard and also probably my favourite of hers katsumashi
Written in response to the climate crisis, “Leviathan” is a brooding and beautifully unsettling batch of dark ambient songs. Bandcamp New & Notable Sep 16, 2023
Extremely cosmic Kayn of almost fathomless depth. Endless variation of tones and spaces and just when you think it could repeat itself it opens up another narrative or angle. It's always compelling and varied and marks itself out as electronic sound work of the highest order Derek Walmsley